![]() They release a new instrument every month so keep an eye on their website for updates. ![]() From keys and synth pads to strings, choir and everything in between, LABS is great for adding some emotion to your tracks. Spitfire Audio’s excellent LABS series features a variety of raw, natural-sounding instruments created by musicians in London. Combining delays and reverb, get ready for luscious clouds of reverb, otherworldly delays, swelling waves of feedback unlike any you’ve heard before. Their reverbs are atmospheric, rich and warm and their Supermassive is no different. ValhallaDSP are renowned for producing some of the best (and best free) plugins on the market. So, if you love free stuff and need some inspiration for your latest track, follow on below and download our top picks. Think epic soft synths that glitch and whirr, effects that will widen and double your sounds, time-stretching tools that will tear your samples into new and amazing realms and some super handy organisational plugins that will leave you never hunting for your samples again. ![]() We’re back with another roundup of the best free plugins that will take your tracks to the next level. Most of you will likely be very aware of the big hitters, like Serum, Massive and others which are renowned for their sound design elements but there are some very useful free options. Why not open them up on your next mix? Unlock the full potential of your DAW.We all love free stuff, especially when it can enhance and refine our music production skills. Perhaps you could share them with us here! Either way, I’m sure there are a handful of stock Pro Tools plugins that you haven’t played with. You might even have your own underrated Pro Tools plugins. If you haven’t been using these three plugins. I know it, I love it, it’s light on the CPU (compared to say a convolution reverb), and it can be just what you need to glue your tracks together. It takes experimentation, but in just a minute or two you can dial in the perfect ambient sound. The best way to use it is to not just pick a preset or a reverb type, but to tailor the filters and pre-delay setting to get just the right sound. Either way, it’s a shame because this classic reverb plugin is solid and has served me well for over a decade! Maybe it’s because the default setting doesn’t sound all that great. How Come DVERB Gets No Love?įor whatever reason, Pro Tools users have long shunned the use of the included reverb plugin, DVerb. This is effect isn’t supposed to be really noticeable like a lo-fi recording (when used as I’m describing), but it can really bring your tracks to life and it’s nice to have it in your back pocket when a mix sounds flat and lifeless. ![]() In fact, if used sparingly on a few tracks it adds up in a nice way. In practice this one little plugin can bring a subtle warmth and energy to your drums, guitars, even vocals. In fact there is a preset on the plugin called “Tape Saturation” and it simply dials in a tad bit of distortion and saturation from the plugin. While it may seem that it’s design is to crush audio and smash it to 8 bit glory (which it can do quite well I might add), this plugin finds a home in my mixes as a warm tape saturation effect. Somewhat related to the Fuzz-Wah is the original Avid Lo-Fi plugin. Add as much or as little as you like and you’ve got a totally vibey sound which helps a part stand out in the mix. On top of that you have a “Fuzz” option which brings in some grit and distortion. This can help take a so-so guitar part, piano riff, or vocal and sit in the mix differently. Imagine it like an actual guitar wah pedal where you can open or close the filter and leave it in one place. The two biggest ways I use this plugin is to put a weird EQ filter on something with the “Pedal” setting. This effect may seem like it’s meant for guitars, but trust me it can do it all. But none is cooler (in my opinion) than the AIR Fuzz-Wah. When Pro Tools began shipping with a whole slew of new AIR plugins in version 8, I was pumped! Just open up the Modulation or Harmonic category of plugins in the insert menu and you’ll find a ton of great new effects to experiment with. Either way, let me point out 3 of my favorite and underrated stock plugs. I use them on just about every mix! Maybe it’s because some people have little faith in stock plugins, or perhaps it just takes time for people to discover the potential of their Pro Tools rig. And it confuses me because these are three of my favorite Pro Tools plugins. With all the great stock plugins that ship with Pro Tools, I see three hardly ever being talked about or used.
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